Материалы мастер-класса Вольфганга Байленхоффа. |
|
Вольфганг Байленхофф
(Институт русской и советской культуры им. Ю.М. Лотмана, Бохум, Германия)
"Европейское кино, национальное кино и культурная идентичность".
- Eurocentrism.
Topic: |
Narratives of Eurozentrism (des voyages; hunting; missionary etc.) |
Film: |
Gioanikian: From the Pole to the Equator. |
Text: |
Dan Sipe, From the Pole to the Equator: A Vision of a Wordless Past. In: Robert A. Rosenstone (ed.) Revisioning History. Film and the Construction of a New Past. Princeton Univ.Press 1995, pp. 174-187.
Ellah Shohat, Robert Stam, The Imperial Imaginary. In: Shohat E. Unthinking Eurocentrism. Multiculturalism and the Media. London / New York, 1994, pp. 100-136.
Robert Stam, Eurocentrism, Polycentrism, and multicultural Pedagogy: Film and the Quincentennial. In: John Hartly, Roberta E. Pearson (eds.) American Cultural Studies. A Reader. London, 1999, pp. 373-382. |
- Eurocriticism.
Topic: |
Memory: Past & Present. |
Film: |
Ch. Marker, Sans Soleil (France, 1982). |
Text: |
Edward Branigan, Sans Soleil. In: Branigan E. Narrative Comprehension... |
- National cinema.
Topic: |
The Concept of "national cinema": a case study (Germany 1930s / 1970s). |
Film: |
Luis Trenker, The Prodigous Son (Germany, 1932). W. Herzog / R.W. Fassbinder / W. Wenders. |
Text: |
Stephen Crofts, Concepts of national cinema. In: John Hill & Pamela Ch. Gibson (eds.) The Oxford Guide to Film Studies. Oxford, 1988, S. 385-394
Eric Rentschler, The Prodigious Son.
Thomas Elsaesser, New German Cinema. A History. Rutgers Univ. Press, 1989, ch. 1, 7 & 9 passim. |
- European cinema (1): Space & Time.
Topic: |
End of Utopia. |
Film: |
Theo Angelopoulos, To Vlemma tou Odyssea (Germany/France/Italy, 1995). |
Text: |
Andrew Horton (ed.) The Last Modernist: The Films of Theo Angelopoulos. London, 1997. |
- European cinema (2): Concepts.
Topic: |
Erasing borders and the necessity of translation. |
Film: |
Francois Truffaut, Jules et Jim (France, 1962). |
Text: |
Dudley Andrew, Jules, Jim, and Walter Benjamin. In: Dudley A., The Image in Dispute. Art and Cinema in the Age of Photography. Austin, Univ. of Texas Press, 1997, pp. 33-54. |
- European Cinema (3): Aesthetics.
Topic: |
Cinema as Art // Cinema & Art. |
Film: |
J.L. Godard, Le Mepris (France, 1963) or Passion (France, 1982). |
Text: |
Jacques Aumont, The fall of the gods: Jean-Luc Godardis Le Mepris (1963). In: Susan Hayward / Ginette Vincendeau (eds.) French Film. Texts and Contexts. London / New York, 1990, S. 217-229.
Alain Bergala, The other Side of the Bouquet. In: Raymond Bellour (ed.) Jean-Luc Godard. Son + Image 1974-1991. New York, Museum of Modern Art, pp. 57-73.
Ginette Vincendeau, Issues in European Cinema. In: John Hill & Pamela Ch. Gibson (eds.) The Oxford Guide to Film Studies. Oxford, 1988, pp.440-448. |
- European Cinema (4): Otherness.
Topic: |
The problem of Difference. |
Film: |
Emil Kusturica, Time of the Gypsies (Yugoslavia, 1989). |
Text: |
Homi Bhabha, I. Ang, Troubles with Hegemony. |
- European Cinema (5): Gender.
Topic: |
Male dominance. |
Film: |
Pedro Almodovar, Women on the Verge of a Nervous Breakdown (Spain, 1988). |
- Cultural Identity & Media.
Text: |
David Morley & Kevin Robins, Spaces of Identrity: Communication Technologies and the Reconfiguration of Europe. In: Screen, vol XXX, nr. 4 (autumn 1989), pp. 10-34.
Peter Wollen, Modern times... |
|